The Blind Eyes will be playing with New York's French Kicks on Tuesday, April 21st at Firebird. Yeah, it's a Tuesday night, but you should come out and rock nonetheless. More details + show poster as we get them!
French Kicks w/ the Blind Eyes and One Lone Car
Tuesday, April 21st - 18+
The Firebird- 2706 Olive StreetSt. Louis, MO 63103
Upcoming Shows
UPCOMING SHOWS:
8/23: The Pageant - St. Louis, MO
9/14: Off Broadway - St. Louis, MO
9/14: Off Broadway - St. Louis, MO
Tuesday, March 31, 2009
Tuesday, March 24, 2009
R.I.P. Jamie Foehner

Thursday, March 19, 2009
Modernity Available Now At Vintage Vinyl

And keep in mind, until we get the online-ordering thing figured out, you can simply send us an email at theblindeyes at gmail dot com to order CDs, T-shirts (like the one pictured on the striking gentleman to the left), pins, or whatever else- and we will respond right away. Guaranteed!
Monday, March 16, 2009
Edwardsville, Illinois This Friday 3/20

Everything, that is, except the address: 301 A N. Main St., Edwardsville, Illinois 62025
Thursday, March 12, 2009
Post-Rockist Album/Show Review
The Post-Rockist has published a great review of Modernity and the album release show. Click here for the full review including sample MP3s and video, or read below!
***
At first, whenever anyone talked about the Blind Eyes, myself included, it seemed inevitable that someone would group the St. Louisans alongside the neatly-tailored English pop of the Jam and Elvis Costello, or occasionally next to the slightly more rambunctious Thin Lizzy of Ireland. But for all the mod aspirations implied by the title of their debut album, Modernity, there’s not a hint of dandyism or faux-Union Jack banner waving insincerity. Instead, we get an even dozen of crisp, catchy-as-all-hell pop songs that may nod their cap at the legends of the past, but keep moving forward in a brisk strut.
I was at the album release party for Modernity this past Friday at the Firebird, and it was great to see such a wide turnout for a local band of their size. It was a mixed crowd of bar scene regulars, reporters, and casual music fans who made the commute to downtown for the evening. A few people mentioned to me that it was exactly what this city needs more of: a full bar on a Friday night filled with curious listeners and fantastic bands. (Note to self: bring more cash in hand next time the ACBs from Kansas City are in town.) But I think the turnout really speaks to the Blind Eyes’ crossover potential: they’re familiar without being reductive, fun without being sappy, edgy without being difficult.
On record, I was struck by how much the Blind Eyes sound like the early Strokes; the main difference being that, unlike Julian Casablancas, lead singer/guitarist Seth Porter actually has a decent set of pipes on him. On the playful and punchy album opener “January,” he sings as nonchalantly as a Vegas crooner who’s found his sweet spot: “The end of the world may be coming soon, but it’s hard to care on a sunny afternoon when you’ve got tailpipes spewin’, doom and gloomin’, you hear a rap-tap-tat-tat-a-tat on your door!” Porter’s songs are melodic and full of character details, like short stories that come to life with the cynical big city noir of “High Life” or the coy interior monologue of “Pages.”
But if Porter gleams on the polish, Kevin Schneider’s turns on the microphone are scruffier and more urgent. On “Find the Time,” one of the album’s highlights, Schneider inhabits the spirit of kindred bassist/vocalist Phil Lynott, too reckless and brash to let the good times slip through his fingers. The constant back-and-forth between the spiky-smooth contrast of Schneider and Porter keeps things interesting throughout. (Although, to be even-handed, I should point out that Schneider’s punkish “Forget About Everything” does seem to drag on for one jazzy interlude and chorus refrain too long.)
Between the prominent bass leads, bright rhythm guitar glint, and Matt Picker’s effortlessly bouncy drumming, it’s hard to believe the Blind Eyes are only a trio. There are so many smart hooks and clever quips that the packaging almost seems too modest. If they returned on their sophomore album with a keyboard, a second guitar, and a brass section I wouldn’t even bat an eye.
***
At first, whenever anyone talked about the Blind Eyes, myself included, it seemed inevitable that someone would group the St. Louisans alongside the neatly-tailored English pop of the Jam and Elvis Costello, or occasionally next to the slightly more rambunctious Thin Lizzy of Ireland. But for all the mod aspirations implied by the title of their debut album, Modernity, there’s not a hint of dandyism or faux-Union Jack banner waving insincerity. Instead, we get an even dozen of crisp, catchy-as-all-hell pop songs that may nod their cap at the legends of the past, but keep moving forward in a brisk strut.
I was at the album release party for Modernity this past Friday at the Firebird, and it was great to see such a wide turnout for a local band of their size. It was a mixed crowd of bar scene regulars, reporters, and casual music fans who made the commute to downtown for the evening. A few people mentioned to me that it was exactly what this city needs more of: a full bar on a Friday night filled with curious listeners and fantastic bands. (Note to self: bring more cash in hand next time the ACBs from Kansas City are in town.) But I think the turnout really speaks to the Blind Eyes’ crossover potential: they’re familiar without being reductive, fun without being sappy, edgy without being difficult.
On record, I was struck by how much the Blind Eyes sound like the early Strokes; the main difference being that, unlike Julian Casablancas, lead singer/guitarist Seth Porter actually has a decent set of pipes on him. On the playful and punchy album opener “January,” he sings as nonchalantly as a Vegas crooner who’s found his sweet spot: “The end of the world may be coming soon, but it’s hard to care on a sunny afternoon when you’ve got tailpipes spewin’, doom and gloomin’, you hear a rap-tap-tat-tat-a-tat on your door!” Porter’s songs are melodic and full of character details, like short stories that come to life with the cynical big city noir of “High Life” or the coy interior monologue of “Pages.”
But if Porter gleams on the polish, Kevin Schneider’s turns on the microphone are scruffier and more urgent. On “Find the Time,” one of the album’s highlights, Schneider inhabits the spirit of kindred bassist/vocalist Phil Lynott, too reckless and brash to let the good times slip through his fingers. The constant back-and-forth between the spiky-smooth contrast of Schneider and Porter keeps things interesting throughout. (Although, to be even-handed, I should point out that Schneider’s punkish “Forget About Everything” does seem to drag on for one jazzy interlude and chorus refrain too long.)
Between the prominent bass leads, bright rhythm guitar glint, and Matt Picker’s effortlessly bouncy drumming, it’s hard to believe the Blind Eyes are only a trio. There are so many smart hooks and clever quips that the packaging almost seems too modest. If they returned on their sophomore album with a keyboard, a second guitar, and a brass section I wouldn’t even bat an eye.
Tuesday, March 10, 2009
Thank You
Thank you a thousand times over to the huge crowd that came out Friday night for our CD release show at Firebird! It was awesome to see so many people there, and we really, really appreciate the support. Thanks also to the Firebird crew and of course the Frontier Brothers, the ACBs and the Livers for playing amazing sets. Big thanks also to the local music media, especially the RFT and KDHX, for really getting behind us on this. We hope you all dig the album!
Click here to see a gallery of pictures from the show, compliments of Douglas Garfield!
Click here to see a gallery of pictures from the show, compliments of Douglas Garfield!
Wednesday, March 4, 2009
The Blind Eyes RFT Feature/Cover Story

Read the story here!
Monday, March 2, 2009
T-Shirts And Albums And Pins, Oh My!
Tuesday, February 24, 2009
KDHX "Artist Of The Week"

UPDATE- Here are the airtimes for the spotlight:
Mon - 1p, 7p
Tues - 12a, 3p
Wed - 1a, 10p
Thurs - 2a, 9p
Fri - 3:30a, 11a
Sat - 2a, 10p
Sun - 9a, 9p
March 6th Poster

Wednesday, February 18, 2009
Modernity Album Cover Preview

Tuesday, February 10, 2009
Blind Eyes In Columbia, MO Tonight!
Tuesday, February 3, 2009
Blind Eyes "Modernity" Album Release Friday, March 6th!
The Blind Eyes' debut album "Modernity" will be released on March 6th, 2009, and celebrated with a release party at The Firebird (formerly the Bluebird)! Also playing are St. Louis' own The Livers, along with Kansas City's ACBs and The Frontier Brothers from Austin, Texas! It's guaranteed to be a party to beat all parties. More details will be available as they develop. Save the date!
The Blind Eyes CD Release Party w/ The Livers, The ACBs and The Frontier Brothers
- $8/$11 Doors: 8:30pm Show: 9:00pm 18+
The Firebird- 2706 Olive StreetSt. Louis, MO 63103
The Blind Eyes CD Release Party w/ The Livers, The ACBs and The Frontier Brothers
- $8/$11 Doors: 8:30pm Show: 9:00pm 18+
The Firebird- 2706 Olive StreetSt. Louis, MO 63103
Thursday, January 22, 2009
Next Show: Blind Eyes At Mangia, Saturday February 7th

Sunday, January 18, 2009
Blind Eyes At The Wedge
The show on Friday at the Wedge was amazing. It was our first show there, but it certainly will not be our last. Thanks to the huge crowd that came out, and of course to Left Arm and the Abacinators for playing great sets! A few pics from the show (as well as the show last week at Off Broadway) are below:






Wednesday, January 14, 2009
The Blind Eyes TONIGHT (Jan 16th) At The Wedge!

Tonight at the Wedge in Dutchtown: a rock n' roll show like no other, featuring the inimitable LEFT ARM, the imitable BLIND EYES, and the able ABACINATORS (who are comin' all the way from lovely Bloomington, Illinois!).
This place is tiny and it's going to be packed, so get there early! And remember: on a cold winter evening, nothing is better than good pizza, cheap booze, and rock 'n' roll. This is a proven fact.
The Wedge
442 Bates St
Doors 8, show 9
$7 admission, $3 surcharge for minors- 18+
Monday, January 12, 2009
Seth Is DJing Tuesday Night At The Royale
If you live in St. Louis, come down to the Royale (3132 S. Kingshighway) tomorrow night (Tuesday the 13th). Starting at 10 pm, Blind Eyes guitarist/singer Seth Porter will be spinning tunes till the place closes down. If you are of legal drinking age and you're not supporting this place regularly, you should be.
Saturday, January 10, 2009
About Last Night

Update: show review with photos posted here!
Remember: Blind Eyes with Left Arm next Friday at St. Louis' newest venue, the Wedge!
Remember: Blind Eyes with Left Arm next Friday at St. Louis' newest venue, the Wedge!
Wednesday, January 7, 2009
The Blind Eyes- Now On Facebook

Tuesday, January 6, 2009
The Blind Eyes At Off Broadway This Friday
Alright people, we're kicking off 2009 in style with a monster show at Off Broadway this Friday, January 9th. Here's the lineup and details:
The Makeshift Gentlemen (11:00-11:45)
The Hibernauts (10:15-10:45)
The Blind Eyes (9:30-10:00)
Super Fun Yea Yea Rocketship (8:45-9:15)
Doors Open @ 8:00
$7 cover
Yeah, for some reason it starts early and ends early, so come early! See you there.
The Makeshift Gentlemen (11:00-11:45)
The Hibernauts (10:15-10:45)
The Blind Eyes (9:30-10:00)
Super Fun Yea Yea Rocketship (8:45-9:15)
Doors Open @ 8:00
$7 cover
Yeah, for some reason it starts early and ends early, so come early! See you there.
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